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Early Irish Myths and Sagas
First written down in the eighth century AD, these early Irish stories depict a far older world - part myth, part legend and part history.Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods.From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.
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The Sagas of the Icelanders
In Iceland, the age of the Vikings is also known as the Saga Age.A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare.Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.
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Poetry in Sagas of Icelanders
First full analysis of the skaldic verse appearing in the family sagas of Icelanders, considering why and how it is deployed. Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries.Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c.AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mostly in dróttkvætt "court metre", which comes to saga heroes' lips at moments of crisis. These presumed voices from the past and their integration into the narrative present of the written sagas are the subject of this book.It investigates what motivated Icelandic writers to develop this particular mode, and what particular literary effects they achieved by it.It also looks at the various paths saga writers took within the evolving prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways.Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas.A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.
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Medieval Iceland : Society, Sagas, and Power
The history of medieval Europe is incomplete if it does not take Iceland into account.Jesse Byock's reassessment of medieval Iceland uses all the available sources--the medieval Icelanders' historical writings, extensive saga literature, and intricate laws--to explore the way Iceland's social order functioned.
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How do you play Sagas in MTG?
In Magic: The Gathering, Sagas are enchantments that tell a story and have multiple chapters. When you play a Saga, it enters the battlefield with a set number of lore counters. At the beginning of your pre-combat main phase, you put a lore counter on the Saga and then follow the instructions on each chapter as the corresponding number of lore counters is reached. Once all the chapters have resolved, the Saga is sacrificed and put into the graveyard. Sagas can have powerful effects that impact the game in various ways, making them a strategic and flavorful addition to your deck.
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Which artifacts come from sagas, legends, and myths?
Artifacts from sagas, legends, and myths can include items such as ancient weapons, armor, and jewelry that are often mentioned in the stories. These artifacts can also include religious or ceremonial objects, such as statues or ritualistic tools, that hold significance within the mythology. Additionally, artifacts from these sources can include ancient texts, manuscripts, or inscriptions that provide insight into the stories and beliefs of the cultures that produced them. Overall, artifacts from sagas, legends, and myths can encompass a wide range of objects that are tied to the narratives and beliefs of the cultures that created them.
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What is the difference between hero sagas and legends?
Hero sagas typically focus on the adventures and heroic deeds of a specific hero or group of heroes, often set in a specific historical context. Legends, on the other hand, are traditional stories that may involve supernatural or mythical elements and are often passed down through generations. While hero sagas may have a basis in historical events or figures, legends are more fantastical and may not be rooted in reality.
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What are the classic French myths, legends, and sagas?
Classic French myths, legends, and sagas include stories such as the legend of King Arthur and the Knights of the Round Table, the story of Joan of Arc, and the myth of the Beast of Gevaudan. These tales are deeply rooted in French history and culture, and have been passed down through generations. They often feature themes of chivalry, heroism, and the supernatural, and continue to be celebrated and retold in various forms of literature, art, and media.
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Comic Sagas and Tales from Iceland
Icelandic literary culture was one of the richest and most important in the medieval world.Texts that were written in Iceland during this period include Njal's Saga, Egil's Saga, The Vinland Sagas, as well as the Comic Sagas and Tales collected in this volume.Comic Sagas and Tales brings together the finest comic stories from medieval Iceland.With feuding families and moments of grotesque violence, the sagas see such classic mythological figures as murdered fathers, disguised beggars, corrupt chieftains and avenging sons do battle with axes, words and cunning.The tales, meanwhile, follow heroes and comical fools through dreams, voyages and religious conversions in Iceland and beyond.Shaped by Iceland's oral culture and their conversion to Christianity, these stories are works of ironic humour and stylistic innovation. In the introduction to these new translations, Viðar Hreinsson examines how the stories satirised old-style sagas while exploiting their classic themes of quests and revenge.This edition also includes a map, glossary, index of characters, suggested further reading and notes.
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An Introduction to the Sagas of Icelanders
An essential resource for exploring the early literary genre of Icelandic saga narrativesCombining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries.Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas.He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism.He then presents readings of select individual sagas, pointing out how the genre’s various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R.Barton Palmer and Tison Pugh
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Eirik the Red and other Icelandic Sagas
The remote and inhospitable landscape of Iceland made it a perfect breeding-ground for heroes.The first Norsemen to colonize it in 860 found that the fight for survival demanded high courage and tough self reliance; it also nurtured a stern sense of duty and an uncompromising view of destiny.The Icelandic sagas relate the adventurous lives of individuals and families between 930 and 1030, which began as oral tales but were skilfully documented in the thirteenth and fourteenth centuries, and are now regarded as written literature.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe.Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Sagas of Salt and Stone : Orkney unwrapped
The islands of Orkney are distinct, perhaps that bit wild.Remote, surrounded by an endless ocean and dominated by an infinite sky, which brings either brilliant light or days of wind that makes everything taste of salt.This remarkable landscape has the power to bewitch people, and Robin Noble has been in its thrall for a lifetime.In Sagas of Salt and Stone he takes us on a personal voyage of adventure and discovery of the archipelago, its history, nature and people - from its seabird colonies and startling rock formations to its fishermen's huts and the Ring of Brodgar.Robin reflects on what has changed and is changing in Orkney, sharing stories of golden summer days and relentless winter storms, of past friendships and family travails.He highlights the best that Orkney has to offer and elucidates its power to inspire and to provide succour for troubled souls.Sagas of Salt and Stone is nothing less than his love letter to Orkney and its people.
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What are the differences between fairy tales, myths, legends, and sagas?
Fairy tales are fictional stories often involving magical elements and typically aimed at children. Myths are traditional stories that explain natural phenomena, religious beliefs, or historical events, often involving gods and supernatural beings. Legends are stories based on real events or people but have been exaggerated over time, blurring the line between fact and fiction. Sagas are long, detailed narratives that recount the heroic deeds of a group of people or a historical event, often passed down orally before being written down.
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Are there similar multi-book sagas to those by Diana Gabaldon?
Yes, there are several similar multi-book sagas to those by Diana Gabaldon. Some examples include George R.R. Martin's "A Song of Ice and Fire" series, which inspired the popular TV show "Game of Thrones," and Robert Jordan's "The Wheel of Time" series. These sagas also feature complex characters, intricate world-building, and epic storylines that span multiple books. Fans of Diana Gabaldon's work may enjoy these other series for their similar scope and depth.
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Why do Germans prefer creamy and mild over spicy and flavorful?
Germans tend to prefer creamy and mild flavors over spicy and flavorful ones due to their traditional culinary preferences. German cuisine often features dishes that are hearty and comforting, with a focus on simple and wholesome ingredients. Creamy and mild flavors are seen as more comforting and familiar, appealing to a wider range of palates. Additionally, the German palate tends to prioritize balance and subtlety in flavors, rather than bold and intense tastes.
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What monsters or mythical creatures exist in Germanic and German mythology, legends, and sagas, etc.?
Germanic and German mythology is rich with a variety of monsters and mythical creatures. Some of the most well-known include the dragon Fafnir from the Nibelungenlied, the Nix, a water spirit known for luring people to their deaths, and the Norns, who are female beings that control destiny. Additionally, there are creatures like the Lindworm, a serpent-like dragon, and the Wild Hunt, a spectral group of huntsmen led by figures such as Odin or Frau Holle. These creatures and monsters play important roles in the folklore and legends of Germanic and German culture.
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